Module 5 - Chapter 1 -Texture in Landscape

I've had these photos all ready to blog for ages and just been to lazy to get myself back into it! I spent sometime over the last few years collecting landscape texture photos every time we went anywhere as I knew it was coming up at some point. The difficulty is trying to be selective. I love the mud and sand textures from Barmouth in Wales and the cliff and rocks from the Somerset coast but have decided to concentrate on Bark. We had a day at Westonbirt, which is a fantastic arboretum In Gloucestershire, ideal for research and a good day out. The first 3 photos which I'm particularly attracted to are from a shipyard in Bristol Dock, I think it's Norwegian Pine for masts.

I'm hoping to get a move on now, but first we have a long awaited holiday next week!!

Bark
1.













2.














3.














Bark
4.














Bark
Images modified to exaggerate the relief in paint shop pro.
5.














Mud and Sand
6.
















Mud and Sand
7.
















Rust and Leaves
8.














Cliff and Rocks
9.

Chapter 12 - Artist Study + paperwork

Chapter 11 - Making a structure related to Media

I know...it's about time! I can't believe it's 6 months since I last added to my blog! I did have a very uncreative period earlier in the year and since then some health issues to get my head around. Hopefully now I'm back on track. So eventually here is my assessment piece for module 4, which is completely different to my original idea but I feel suits my research and was fun to make. The idea is to keep my travel souvenirs inside the pyramid. Can't wait to start module 5!!



The left hand panel is drawn thread work stitchery in paper with our Egyptian tour tickets saved behind the columns.

1.


















The left hand panel represents the Egyptian people seen on many buildings, machine stitched patterns behind represent hieroglyphics.
2.
















3.


















Left hand panel represents the Egyptians working with stone made with mixed paper and threads and paper in string. The right hand panel represents the Egyptian gardens made with paper, drawn thread work and stitching.
4.

















Looking inside
5.

















Opened out to show all the inside
6.














Twirled goldwork
7.















Stretched and twisted goldwork
8.














Couched goldwork

9.














Using cut chips
10.

Ideas for Chapter 11

....this is how I'm thinking of progressing but before I go any further here's hoping Sian can give me some advice on my way forward.






















Ignoring the colours as I've used scrap-papers, the folder may be made out of papyus or banana paper - or both.

Chapter 10 - Book-type Structures

I have 2 great books to look through for inspiration on this chapter...Cover to Cover by Shereen La Plantz and Expressive Handmade Books by Alisa Golden. I would like to make more but have the urge to get on to my assessment piece but hope to play around with these stuctures again.

The first 3 photos are different versions of the single sheet fold books called Mazes.
1.













2.













3.















A simple flag book



4.















A Tunnel Book - love the idea of this design, don't think it will work for me this time around but hope to use it in the future.

5.

















Pocket Flag Book....obviously this would have more than the one pocket!!

6.

Chapter 9 - Stitchery into Paper

Looking through my research during working on this chapter I'm changing my focus and want to concentrate on the Egyptian theme for my final piece rather than my Father's letters to my Mother during the war. This shows quite strongly in this chapter and hopefully I can use some of these in some way in my special book. No doubt I should do some more stitchery but am itching to get into book making! I seem to have been on this module toooo long!


A.










Sample -A Taking my crossover piece that was nearly ruined in chapter 8 (Sian saved it by suggesting I picked off the unwanted pulp/paper to reveal more of the fabric) I added Guilloche stitch using a rubbing from research as inspiration.



B.











Sample B -Hessian & pulp...I used inspiration from a computer generated design in chapter 2 and embroidered a large version of Long-tailed Daisy Stitch. In keeping with my Egyptian theme I think it looks like hieroglyphics on the temple columns.


C.














Sample C - this is my earlier string sample added to a piece of dupion silk and represents the Egyptian people from a brochure I brought home. I loved doing this one and hope to use it in my final 'book'



D.












Sample D - the orange thread was added at paper making stage and the turquiose random fly stitch was sewn in to represent the dripping ink from my research.



Stitched Edges

1.













The 2 above both look like overlapping, but the lower edge is a variation on blanket stitch (forgot to write the name down). The top edge has woollen ties added.




2.














The top edge above has machined paper clips with loose threads to add effect. The lower one is fine ribbon attached with french knots.

Chapter 8 - Continued

Before moving on to Chapter 9 I decided to try a few more samples of applying pulp to fabric.

1. This sample was made up of 2 grids added to the pulp.

















2. I think this one would work better with a different coloured pulp, I suppose I could colour it and adding stitching will help.

















3. I just added tourist tickets to this pulp.



















4.My first string sample worked well so decided to repeat this doing a double one, will see how successful when removed from the frame.